Costello is no pop producer, of course. The hooks here are minor-key and contemplative: "Waltz for Chet" pines with the best of them, while "Always a Why" leaves its plaintive synthesizer melody behind in its final minute for plucking synthesized guitars. "Closing Circles" even recalls the marimba minimalism of Steve Reich. The 20th century giant looms large over the proceedings here—much of the work on The Only Way to Win Is
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